ATOMOS SUMO 19 SE MONITOR RECORDER AND SWITCHER

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SKU: ATO Sumo SE 1 19" Mon Rec

Availability: Pre-Order Now

MPN: ATOMSUMSE1

UPC: 814164022644

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Description
Specs
In The Box

Sumo 19
The perfect on-set monitor-recorder and switcher. Sumo’s 19” screen allows you to really see what’s going on in your image.

Proven.Reliable.
With a bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, the ability to record Apple ProResRAW up to 6Kp30, and a rugged and versatile design, the SUMO 19SE is the perfect addition to an on-set video village. With four independent inputs it can also be be used to switch and record each ISO stream up to 1080p60 and has full-sized XLR connectors for professional audio workflows.

Rugged and versatile design suitable for every application

1200nit HDR
Touchscreen

ProRes RAW
Up to 6K

4x ISO+Program
Record

Live Switch
Program Out

Record up to 6Kp30 ProRes RAW
Unlock the true potential of SDI RAW cinema cameras with the Sumo 19SE. Preserve the pristine quality of the data from the camera sensor by recording in Apple ProRes RAW at up to 6Kp30, 4Kp60 DCI/UHD, and 2Kp240 DCI/HD, or record in CinemaDNG at up to 4Kp30 DCI. Sumo 19SE is compatible with the Sony FS series cameras, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT, and more.

10-bit ProRes and DNx up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in Apple ProRes or Avid DNxHR codecs at 4Kp60. With support for multiple inputs via SDI, the SUMO 19SE provides the ability to record up to 4 x inputs and also supports ProRes LT and DNxHD 36 for extended recording times.

High-bright & HDR monitoring
With 1200nit brightness, 19-inch, 1920 x 1080, and 10-bit processing all built into a rugged enclosure, the SUMO 19SE is at home in any location. SDI and HDMI i/o supports a wide range of inputs and provides signal cross conversion with 4K>HD down conversion options.

Live Quad-channel HD Switching & Recording
Record up to four 1080p60 streams simultaneously (via 3G SDI Level A Only) as separate ISOs, as well as a fifth “program” channel of your switched feed, whilst cueing and switching in real-time. Display the resulting mixed output (via HDMI or SDI) live on set or use an HDMI to USB capture device to output the switched feed for live streaming. Switching is asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras that do not support timecode/genlock inputs.

Two stereo balanced XLR inputs with 48V
The full-size XLR connectors with 48V phantom power allow you to connect two external microphones with balanced analog audio recording and monitoring. The SUMO 19SE also has dedicated meters, gain controls, and adjustments for frame delay on each channel. Mic or line-level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.

Physical Specifications
Dimensions (W x H x D mm)

310mm / 12.2" x 504 mm / 19.8" x 63mm / 2.5"

Weight

6.2kg / 13.7lb

Mount points T

op: 4 x 1/4' 20, 2 x 3/8", Bottom: 6 x 1/4' 20, 3 x 3/8" Right: 4 x 1/4' 20, 2 x 3/8", Left: 2 x 1/4' 20, 1 x 3/8"

VESA mount

100 x 100

Environmental
Ambient operating temperature

Up to 40 Degrees Celsius

Construction and Control
Cooling

Actively controlled fan and Heat Sink

Tally light

Rear and front

Multi-function button

Power / lock Screen

Touch Screen

Power
Input voltage

DC 12-16.8v

Operating power

Compatible batteries

V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended.

Battery voltage

14.4V nominal

Battery Run time (Record)

Depends on Watt Hours specification of battery used

Battery Run time (Monitor only)

Depends on Watt Hours specification of battery used

Continuous power

Dual Battery input via dedicated 4 pin XLR

DC in connector

1 x 4 pin XLR (12-16.8V)

Dtap

Via optional D-Tap to 4 Pin XLR cable.

Display
Touchscreen

SuperAtom IPS panel (capacitive touch)

Size

Resolution

1920 x 1080

PPI

Bit depth

10Bit (8+2 FRC)

Backlight Type

Optically bonded quantum dot

Brightness (cdm2 / nits)

1200nit (+/- 10% @ center)

Aspect ratio

16:9 Image Display

De-interlace mode

Color Gamut

DCI P3

Calibration support

Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus

Color Pipeline
Gamma

Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log

Gamut

BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWide

3D LUT Display

.Cube format

3D LUT Output

Loop out

3DLUT 50/50

Monitoring Modes

Native/ 709 / HLG / PQ / 3D LUT

HDR output Conversion

HDR to HLG / PQ

Color Management
Calibration

Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus

Display Controls

Backlight, Lift, Gamma, Gain

AtomHDR

Built in Technical Log to HDR EOTF

3D LUTs

Display, monitor and output, Record, Load via SSD

Legalize

Full to Legal conversion available on Input

Video Input
HDMI

1 x HDMI (2.0) 4K p60

HDMI RAW

No - HDMI Video only

SDI

4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection

SDI RAW

Apple ProRes RAW up to 6Kp30

Bit Depth

8/10Bit Video / RAW up to 12Bit

Video Chroma Subsampling

YCbCr 422

HDR

Yes with Auto detection

Metadata
SDI

File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut

File Naming
Standard

S/S/T & Rolling

Via SDI

Red, Arri

Video Output
HDMI

1 x HDMI (2.0) 4K p60

SDI loop out

1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable

SDI Play out

1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable

Video Chroma Subsampling

Bit Depth

10Bit Video / 12Bit RAW

Web Streaming
USB UVC

Optional via ZATO Connect / USB Stick

Video Signal Conversion
HDMI to SDI

SDI to HDMI

Yes - Video and RAW

Audio In/Out
Audio Quality

24-Bit / 48kHz

Audio Codec

HDMI

8ch 24Bit, input dependent

SDI

12ch 24Bit, input dependent

Analogue Audio in

2 x XLR

Analogue Audio Out

2 x XLR

Speakers

2 x 5w

Headphone out

3.5mm 2ch.

Timecode / Sync
Embedded

SDI and HDMI

Time of day

Yes, Time and Date

LTC

LTC via BNC input in Record mode

Genlock

Genlock in Playback mode

Resolution and Frame Rates (Record, Monitor & Playback)
4k DCI

up to 4Kp60

4k UHD

up to 4Kp60

2K DCI 2046 x 1080

up to 2Kp60

FHD 1920 x 1080 Progressive

up to 1080p120

FHD 1920 x 1080 PsF

Pull down

FHD 1920 x 1080 Interlaced

1080i50 / 1080i60

1280 x 720p

6K RAW

up to 6Kp30 Via SDI

4K RAW

up to 4Kp60 via SDI

2K RAW

up to 2Kp240 via SDI

Recording CODEC
CDNG

For SDI RAW inputs Only

Apple ProRes RAW

ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60

Apple ProRes

Apple ProRes HQ / 422 / LT up to 4Kp60

Avid DNxHD

up to 1080p60

Avid DNxHR

up to 4Kp60

Playback
Playlist

Yes, Create custom play lists from full or sub clips

Loop

Yes, with user customizable in / out markers

CDNG

Apple ProRes Raw

Yes, recorded clips with linear PCM

Apple ProRes

HQ / 422 / LT - Yes with linear PCM

Avid DNx

DNxHR / DNxHD - Yes with linear PCM

Monitoring
SDR

Native, 709, LUT

HDR

HLG, PQ Rec2020

De-Interlace

Selectable mode

Recording functions
Pre-roll record

Yes (HD 8s, 4K 2s) - Not available in RAW

ISO Record

4 x ISO up to 1080p 60 (3G SDI Level A ONLY)

Switched Program Record

Yes Up to 1080p 60

Timelapse

Multi Input / Switching
SDI A/B toggle

Yes, supports up to 12G SDI per input

Dual Input display

Via Multi ISO input mode

Multiple SDI input

Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)

Multiview Display

Via Multi ISO input mode

Input transitions

Auto or manual XML transition

Input Switching

Supported media
Master Caddy I

SSDmini

Yes (AtomX SSDmini handle required)

CFast II

Not supported

File System

ExFAT

Interface

SATA 3

Master Caddy III

On screen tools
Waveform

3 sizes

RGB parade

3 sizes

Vector scope

2 size / Position

1 x Zoom

Yes. 1:1 Pixel mapping for 4K

2 x Zoom

Focus peaking

Colour selected / threshold setting / colour/ Mono / edges only

False colour

Yes, with IRE scale

Zebra

Yes, customisable

Isolate color channel

Blue only

Cine Frame Guides

2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3

Social Frame guides

9:16, 1:1, 1.91:1, 4:5

Safe areas

SMPTE frame size – Action and Safe

Grid markers

9 grid

Anamorphic desqueeze

Display 1.25x, 1.33x, 1.5x, 1.8x and 2x

Display Flip

Vertical

False Color

Yes, with IRE scale

Onboard Signal Processing
4K UHD Downscale for HD

Loop out - 4K UHD to FHD

DCI Crop

Loop out - 17:9 to 16:9 Crop

I > P

60i > 24p (3:2 pulldown)

PSF > P

24/25/30pSF > 24/25/30p (2:2 pulldown)

Remote control
HDMI

Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard

SDI

SDI trigger, camera selectable

Serial 2.5mm Jack

LANC control and calibration via optional USB to serial cable

Cut & Tag
FCP XML

Cut tag EDL and Multicam with transitions in FCP XML

Supported Applications
XML

Apple Final Cut Pro

Apple ProRes RAW

Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH

Video Codecs

All applications with support for Apple ProRes and Avid DNX in .MOV wrapper

Warranty
Standard

1 Year

Extended

3 Years

SmallHD ULTRA 5 Bright Touchscreen Monitor

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ATOMOS SUMO 19 SE MONITOR RECORDER AND SWITCHER

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