ISensor Size

40.96 x 21.6mm (Vistavision)

Sensor Type

MONSTRO 35.4 Megapixel CMOS

Effective Pixels

8192 x 4320

Color Filter

Bayer

Shutter Type

Rolling Shutter

Max Frame Rates

60fps at 8K Full Format (8192x4320), 75fps at 8K 2.4:1 (8192x3456)
60fps at 7K Full Format (7168x3780), 75fps at 7K 2.4:1 (7168x3024)
75fps at 6K Full Format (6144x3240), 100fps at 6K 2.4:1 (6144x2592)
96fps at 5K Full Format (5120x2700), 120fps at 5K 2.4:1 (5120x2160)
120fps at 4K Full Format (4096x2160), 150fps at 4K 2.4:1 (4096x1728)
150fps at 3K Full Format (3072x1620), 200fps at 3K 2.4:1 (3072x1296)
240fps at 2K Full Format (2048x1080), 300fps at 2K 2.4:1 (2048x864)

Max Data Rates

Up to 300 MB/s using RED MINI-MAG (480GB, 512GB, 960GB & 1TB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

Playback Frame Rates

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions (Project Timebase)

REDCODE Settings

Range from 2:1 up to 22:1:
5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps
2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps
3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps

REDCODE RAW Acquisition Formats

8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1 and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1 and Ana 2x, 1.3x
6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1 and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1 and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1 and Ana 2x, 1.3x

REDCODE RAW Acquisition Formats (Cont.)

3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1 and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1 and Ana 2x, 1.3x

Apple ProRes

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 x 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 x 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 x 1080) up to 120 fps

AVID Codecs

DNxHR HQX at 4K (4096 x 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 x 2160) 8-bit up to 29.97 fps 
DNxHR 444 at 2K (2048 x 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 x 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 x 1080) 8-bit up to 120 fps

Construction

Carbon Fiber

Operating Temperature

0 to 40 deg. C (32 to 104 deg. F)

Color Management

Supports 33x33x33, 32x32x32, 26x26x26 and 17x17x17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

Audio

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

Remote Control

Integrated R.C.P. Wi-Fi antenna
Ethernet, RS232 and GPI Trigger with DSMC2 expander module

Monitor Outputs

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

Monitor Options

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable

REDCINE-X PRO Delivery Formats

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

Lens Mount

PL Mount