Canon C300 Mark II Zacuto ENG Package w/ Cine-Servo 17-120mm Lens
Zacuto ENG Rig:VCT Pro BaseplateVCT Lens SupportC300 Mark II Helmet Kit (recoil handle, helmet, 3? rail)Quick Release AV Unit MountAxis MiniGraitcal HD Micro OLED EVFCheese Box Conterweight with two 3? m/f rodsTwo Wireless PlatesV-Mount Batter Plate with 2 D-Taps and LEMO Connector (to power the camera)LP-E6 Cable to D-Tap power cable (powers Gratical from system batteries)6 Cable TiesD-tap to 12-Pin Hirose to power Cine-Servo Lens
With New Super 35mm Sensor and 4K Internal Recording, the Latest Addition to the Canon Cinema EOS Line Offers High Image Quality and a 15-stop Wide Dynamic Range
Enhanced Features & Benefits
To engineer the next evolutionary step up from the EOS C300 Cinema Camera, Canon has developed a new Super 35mm CMOS sensor that supports high-image-quality internal video recording from Full HD (1920x1080) and 2K DCI (2048x1080) to 4K UHD (3840x2160) and 4K DCI (4096x2160), utilizing Canon's proprietary Over Sampling HD Processing to help meet the needs of multi-purpose productions. The new imaging sensor maximizes the amount of light that falls on each photosite through a wider pixel pitch, enhancing the EOS C300 Mark II camera's sensitivity, while minimizing noise and supporting ISOs up to 102,400. The new sensor is also capable of twice the readout speed compared to the original, which in turn significantly reduces the occurrence of rolling shutter distortion.
C300 Mark II Features:New Canon 8.85 Megapixel CMOS SensorDual Canon DIGIC DV5 Image ProcessorsCanon XF-AVC H.264 CodecInternal 4K/2K/Full HD RecordingTwin 3G-SDI Outputs for up to 30p 4KFull Manual Control1.77 Megapixel Color OLED EVF With Adjustable 60º Tilt AngleUses All Canon CN-E Cinema Prime and Zoom LensesUses All Canon EF and EF-S Photo Lenses (Including Specialty Tilt-Shift and Other Models)Built-In Mono MicrophoneRemovable LCD Monitor and Control Panel with XLR InputsRemovable Hand GripImproved Low-Angle Camera Handle ExtensionBuilt-in Dual-Band Wi-Fi for Remote LiveView Display and Camera Control
The EOS C300 Mark II uses Canon's new XF-AVC codec that compresses the camera's 4K image data at a high level of quality for internal recording using CFast 2.0 memory cards. The EOS C300 Mark II can also output its signal simultaneously through built-in 3G-SDI ports for full uncompressed RAW recording to an external recorder.
The EOS C300 Mark II features a new log gamma tone curve - Canon Log Gamma 2 - which was designed specifically to help maximize the recording capabilities of the camera. The log format files can be ideal for post-production allowing users to apply processes where corrections, color matching and grading are applied, providing users with a high level of creative freedom in post-production without substantially degrading the image quality.
The EOS C300 Mark II camera supports both ACES and REC .2020 workflows, and utilizes the Material Exchange Format (MXF) for its file structure. MXF is an internationally standardized container format for the exchange of video and audio material. Using the MXF format, video and audio can be wrapped into a single file along with important metadata. With MXF, the EOS C300 Mark II camera can benefit from both the highest level of compatibility with popular non-linear editing systems, and also with high-end network systems used by many networks and production studios.
The Dual DIGIC DV 5 processors on the EOS C300 Mark II camera work hand-in-hand with the new Super 35 Canon CMOS sensor to enable a wide variety of image quality and feature improvements including 15 stops of dynamic range, bit rates up to 410 Mbps, Canon Log Gamma 2, XF-AVC Codec, Dual Pixel CMOS AF, simultaneous 4K and HD Proxy recording and 2K/FHD frame rates up to 120 frames per second. 10-bit recording with 4:2:2 color sampling is available at all resolution settings, but the 2K and Full HD resolutions also support 12-bit recording at 4:4:4 color sampling for maximum color fidelity.
The EOS C300 Mark II camera features the newest generation in Canon Dual Pixel CMOS AF technology that expands selection of the autofocusing area to approximately 80 percent (vertically) x 80 percent (horizontally) of the total image area. The EOS C300 Mark II camera is now capable of face detection AF with EF lenses in addition to existing Canon stepping motor (STM) lenses. Additionally, users can adjust the speed, tracking sensitivity, and specific size and location of the focusing area to help maximize creative control, and a new feature called AF-Boosted MF, which offers increased autofocusing stability. A super-imposed graphic interface called the Dual Pixel Focus Guide can also be added as a visual aid for autofocusing or to assist with the focusing of manual, cinema-style lenses.
|IMAGE SENSOR||EFFECTIVE PIXELS||Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution|
Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution
|SENSOR TYPE||CMOS (single-panel)|
|SENSOR SIZE||Equivalent to Super 35 mm|
|IMAGING PROCESSOR||Dual DIGIC DV 5|
|LENS SYSTEM||LENS MOUNT||Canon EF Mount; EF Cinema Mount|
|INTERCHANGEABLE LENS SYSTEM||EF-mount for compatibility with EF, EF-S and EF Cinema lens systems|
|EXPOSURE||EXPOSURE MODES||(1) Manual exposure based on shutter setting, iris setting, ISO/gain setting, and ND filter setting|
(2) Push auto iris control, auto iris control (Light metering system selection, shift possible)
|SHUTTER SETTING||Speed, Angle, Clear Scan, Slow, or Off mode selected|
Either 1/3 or 1/4 steps selected as speed increment
|IRIS SETTING||1/2-stop, 1/3-stop or fine setting selected|
(1) Push auto iris control
(2) Auto iris control *
* Available only with some EF lenses (to be disclosed in the official version of the technical document)
|ISO/GAIN||ISO: 1 step, 1/3 step settings [*100, 160, 25600, *102400]|
*When the sensitivity is expanded
|GAIN: Normal [*-6dB, -2dB,- 42dB, *54dB]; Fine: Setting in 0.5dB step increments possible|
*When the sensitivity is expanded
|ND FILTER||5 density settings (2,4,6,8(*), 10(*) stops) [(*) *when expansion is selected]; Motorized drive|
|FOCUS||FOCUS CONTROL||DAF (Dual Pixel CMOS AF) supported|
|MODE||Manual focus, one-shot AF, continuous AF, AF-Boosted MF (*), face detection AF (Only lenses that support AF functions can be used *in any of these modes.)|
|VIDEO COMPRESSION FORMATS||MPEG-4 AVC/H.264|
|AUDIO RECORDING SYSTEM||Linear PCM (16bit/24bit- 48 kHz - 4ch)|
|BIT RATE||Intra 410/225/220/110Mbps, LongGOP 50Mbps, Long GOP 35 or 24Mbps (for proxy recording on SD cards)|
|CFAST CARD||lntraframe recording|
Resolution : 4096 x 2160 / 3840 x 2160 / 2048 x 1080 / 1920 x 1080
Signal configuration : YCC422 10bit / (*)RGB444 (12bit/10bit) (*) Only with 2048x1080 or 1920x1080; 29.97P, 23.98P, 25.00P and 24.00P
Resolution: 2048 x 1080 / 1920 x 1080
Signal configuration: YCC422 10bit
|SD CARD||Movies: LongGOP recording only (*)|
Resolution: 2048 x 1080 / 1920 x 1080
Signal configuration: YCC420 8bit
Resolution: 2048 x 1080 / 1920 x 1080
|(*) Proxy recording using low bit rate|
|POWER||BATTERY PACK||14.4 V DC, BP-A30 (provided with camcorder)/BP-A60|
|DC-IN||16.7 V DC|
|RECORDING MEDIA||CFAST CARD||Movie recording, custom picture settings, metadata; 2-slot|
|SD CARD||Recording of movies and photos (JPEG), custom pictures, metadata, menus and other data possible|
|PLAYBACK||PLAYBACK OPERATIONS||Normal playback, fast forward (at speeds of 5x, 15x, 60x), fast reverse (at speeds of 5x, 15x, 60x), frame forward, frame reverse, forward skip, reverse skip, rec review|
|CLIP DISPLAY||3x4 (clip) index screen [Original, OK mark, check mark, shot mark, expand, proxy, photo (SD card) index displays available|
|CLIP INFORMATION||DISPLAYS Clip metadata display, custom picture data display|
|EDIT||Clip deletion, clip copying|
|BODY DIMENSIONS ( W x H x D )||Approx. 5.9 x 7.2 x 7.2 in (149 x 183 x 183 mm) (with thumb rest)|
|WEIGHT (BODY ONLY)||TBD|
In response to feedback provided by current EOS C300 Cinema Camera users, the EOS C300 Mark II builds on the innovative and efficient ergonomic design of the original camera by adding several redesigned features to help maximize shooting comfort and improve usability. For example, the new camera features a built-in microphone for scratch audio as well as dual CFast 2.0 card slots for MXF recording and an SD card slot for 8-bit 4:2:0 Full HD proxy recordings. The EOS C300 Mark II camera's modular design allows different components to be added or removed as needed, not only to meet the demands of a particular shooting environment, but also to help maximize camera operator comfort. In addition to the core EOS C300 camera body, the new EOS C300 Mark II camera body comes with a removable hand grip and an improved low angle camera handle extension which features new additional attachment points, plus a removable LCD monitor with detachable cables, and control panel with XLR inputs. The EOS C300 Mark II camera is equipped with either a standard EF or PL lens mount, but can be modified at a later point in time for a fee by authorized Canon Cinema EOS service centers for users who prefer either locking EF mount or PL mount.
As Canon's flagship 1080p HD cameras, the EOS C300 is designed to fit a wide variety of production needs. It's at home as A Cameras for Independent Films, Commercials, Television and Dramas as well as B Cameras on Major Motion Pictures, offering in addition to the more common 23.98P frame rate, several selectable frame rates including a straight 24.00P setting for intercutting directly with film originated material. Full HD 1920x1080 (1080p) is currently the most used and needed deliverable frame size for these applications. The EOS C300 provides easy adoption and simplified workflow that 4K cameras currently cannot deliver.
Atomos Shogun Inferno Overview
The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.
In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.
Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-series battery plates that support battery hot swapping, enabling longer runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, and focus assist tools.
1920 x 1200 resolution
10-bit FRC monitoring processing
1500 cd/m² brightness
AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
High Bright mode for Rec. 709 viewing
Supports custom 3D LUTs (.cube format)
Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
UHD 4K downscale for HD monitoring
4K HDMI and 12G-SDI inputs/outputs
Four 3G-SDI inputs (or single 12G-SDI)
SDI/HDMI cross conversion
Audio breakout cable for XLR audio input
UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
1080p recording up to 240 fps
10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
ProRes Raw and ProRes Raw HQ
Record up to 5.7p30, 4Kp60, HDp240
Pre-roll record (HD 8 seconds, 4K 2 seconds)
Custom time-lapse mode
Ten metadata fields
Dual Sony L-series battery slots support hot swapping for continuous power
Built-in armor with silicone-covered corners
Audio level meters and mic level adjustment