Product Features:
- 1920 x 1200
Touchscreen Display
- 10-Bit Exterior
Viewable Monitor
- 4K HDMI Input
- 1000 cd/m²
Brightness
- AtomHDR Mode with
10-Stop Dynamic Range
- 10-Bit 4:2:2 ProRes
& DNxHR Encoding
- Records to Mini SSDs
- Supports a Variety
of Log Formats
- Single Sony L-Series
Battery Slot
The Atomos
Ninja V is a 5" records and plays back DCI 4K, UHD 4K, and HD video from mini-SSDs
on-camera. It sports a 10-bit FRC IPS screen with a brightness of 1000 cd/m²,
which makes it suitable for use in both exterior and interior conditions. The
AtomHDR display technology allows accurate monitoring of your log gamma footage
without having to view flat, washed-out looking images or use a LUT to compress
the dynamic range and color space. The Ninja V supports popular log formats
from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only
affect viewing, with recorded video remaining unchanged.
Built to tolerate the rigors of
production, the Ninja V features an aluminum chassis and powers from a single
L-series battery. Extra features include an assortment of onscreen exposure
analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A
power supply and SSD Caddy are included with the monitor.
AtomHDR
With AtomHDR you can monitor ten
stops of dynamic range of your camera's LOG image. Most conventional monitors
can only display six or seven stops, which is okay for typical footage; but a
Log image will appear too flat. It is better than monitoring with a loaded LUT,
which can clip the highlights and mask shadows.
Supported Log Formats
- ARRI Log C
- Canon CLog / CLog 2
- Fuji F-Log
- JVC JLog
- Sony SLog2 / SLog3
- Panasonic Vlog
- RED LogFilm
HDR Recording
- ARRI Log CEI160 / LogCEI200 / LogCEI250 /
LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 /
LogCEI1280 / LogCEI1600
- Canon CLog / CLog2 / Clog3
- Fuji F-Log
- JVC JLog1
- Panasonic Vlog
- PQ10k, HLG
- RED LogFilm / Log3G10 / Log3G12
- Sony SLog / SLog2 / SLog3
HDR Monitoring
- ARRI ALEXA Wide Gamut
- Canon Cinema / DCI P3 / DCI P3+ / BT2020
- Fuji F-Log
- JVC LS300
- Panasonic V Gamut
- Rec. 2100
- Rec. 709
- RED DragonColor / DragonColor2 / RedColor2 /
RedColor3 / RedColor4 / RedWideGamut
- Sony SGamut / SGamut3 / SGamut3.cine / BT2020
- Wide Color Gamut (SGamut / SGamut3 /
SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V
Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
- Wide Color Gamut (SGamut / SGamut3 /
SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V
Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on
loop out
4K 60p Capabilities
Record high-res 4K footage in
DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like
aesthetic. Files are stored as high-quality Apple ProRes or Avid DNxHR with
10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit
your specific needs.
Audio I/O
Audio can be input and output through
the multi-pin locking connector. Separately available breakout cables can deliver
XLR audio input with 48V phantom power and output. A 3.5mm headphone jack on
the allows convenient audio monitoring.
5" Daylight Viewable Screen
The Ninja V has a 5" IPS
LCD screen that is lit by a luminous 1000 cd/m² LED backlight, making it
possible to view in daylight without requiring a hood. The screen is also color
calibrated from the factory to guarantee accurate image representation.
HDR Signal Management
Log and HDR signals can be
difficult to monitor with typical equipment. With the Ninja V's incorporated
HDR signal management functions, the log signal can be converted to the PQ
standard for compatibility with existing consumer and professional HDR
equipment.
Anamorphic De-Squeeze
The Ninja V supports Anamorphic
de-squeeze, allowing you to easily view anamorphic footage with a squeeze of
2x, 1.5x, 1.33, and Panasonic's 8:3.
Edit-Ready Recording
Incoming video signals can be
recorded in a wide range of Apple ProRes and Avid DNx codecs which preserve
high quality while not requiring the storage space of uncompressed video. Both
ProRes and DNx are edit-friendly which requires no conversion in
post-production to ensure smooth playback and compatibility with most common
video editing software.
Expansion Modules
The Ninja V features a
bidirectional high-speed video port along with power and audio which lets
future expansion modules to increase the Ninja V's capabilities.