Product Features:

• 1920 x 1200 Touchscreen Display
• 10-Bit Exterior Viewable Monitor
• 4K HDMI Input
• 1000 cd/m² Brightness
• AtomHDR Mode with 10-Stop Dynamic Range
• 10-Bit 4:2:2 ProRes & DNxHR Encoding
• Records to Mini SSDs
• Supports a Variety of Log Formats
• Single Sony L-Series Battery Slot

The Atomos Ninja V is a 5" records and plays back DCI 4K, UHD 4K, and HD video from mini-SSDs on-camera. It sports a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows accurate monitoring of your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The Ninja V supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unchanged.

Built to tolerate the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Extra features include an assortment of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A power supply and SSD Caddy are included with the monitor.

AtomHDR

With AtomHDR you can monitor ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is okay for typical footage; but a Log image will appear too flat. It is better than monitoring with a loaded LUT, which can clip the highlights and mask shadows.

Supported Log Formats

• ARRI Log C
• Canon CLog / CLog 2
• Fuji F-Log
• JVC JLog
• Sony SLog2 / SLog3
• Panasonic Vlog
• RED LogFilm

HDR Recording

• ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
• Canon CLog / CLog2 / Clog3
• Fuji F-Log
• JVC JLog1
• Panasonic Vlog
• PQ10k, HLG
• RED LogFilm / Log3G10 / Log3G12
• Sony SLog / SLog2 / SLog3

HDR Monitoring

• ARRI ALEXA Wide Gamut
• Canon Cinema / DCI P3 / DCI P3+ / BT2020
• Fuji F-Log
• JVC LS300
• Panasonic V Gamut
• Rec. 2100
• Rec. 709
• RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
• Sony SGamut / SGamut3 / SGamut3.cine / BT2020
• Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
• Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out

4K 60p Capabilities

Record high-res 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. Files are stored as high-quality Apple ProRes or Avid DNxHR with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your specific needs.

Audio I/O

Audio can be input and output through the multi-pin locking connector. Separately available breakout cables can deliver XLR audio input with 48V phantom power and output. A 3.5mm headphone jack on the allows convenient audio monitoring.

5" Daylight Viewable Screen

The Ninja V has a 5" IPS LCD screen that is lit by a luminous 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. The screen is also color calibrated from the factory to guarantee accurate image representation.

HDR Signal Management

Log and HDR signals can be difficult to monitor with typical equipment. With the Ninja V's incorporated HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.

Anamorphic De-Squeeze

The Ninja V supports Anamorphic de-squeeze, allowing you to easily view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.

Edit-Ready Recording

Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which preserve high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly which requires no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.

Expansion Modules

The Ninja V features a bidirectional high-speed video port along with power and audio which lets future expansion modules to increase the Ninja V's capabilities.